bookmark_borderReview: And When She Was Good

I’ve always had difficulty finding enough good stuff to read. During the last three or four years I’ve been working my way through Pulitzer, Man Booker, and other award finalist collections, treating the lists as recommendations. Now I’m trying a new compilation; Google’s list of top books for 2012. I know nothing about these books. I download them from the library so I don’t see reviews or summaries, just the title and the cover. That’s kinda nice; a little surprise each time to settle into the genre, style and topic.

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bookmark_borderTiresome critiqing

Many of us fiction-writing types belong to one or more critiquing exchanges. Stephen King has his wife and a writing friend that review his works. Writing classes or workshops are, in whole or in part, made up of reviewing and critiquing the efforts of the participants. I belong to a local writing group and loosely to a couple online groups (one forum, one email).

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bookmark_borderCritiques

It’s amazingly hard to accept and to do critiques.

When I was a music major I always had a teacher; someone that knew a lot more than I did, someone who had years more experience than I did, someone that I trusted. After years of work with the instructors, with the directors, I developed a sense of rightness, of understanding, an ability to see the gaps between was is and what should or could be, and, a sense of how to work at closing that gap.

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bookmark_borderTranslating = Editing?

I don’t understand any language other than English. But I have read some translations: Tolstoy, Dostoevsky, Flaubert mostly, and others. Last year I met an author whose first language is French but he writes in English.  I asked why he doesn’t translate his works himself, and he replied that writing fiction is one thing, translating is another. But he’ll happily argue with his translator.

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bookmark_borderImprovising

Some time ago an experienced writer told me that he imagined that writing fiction is like improvising jazz. Then he asked me, as a (hobby) jazz musician and budding fiction writer, did I find that to be the case? I said that, as also a legit (classical) composition major in university, I felt that writing fiction is more like composing. To compose I do a similar process that I use when improvising; I listen to what I have in my head and improvise what should happen next, but I get to use instruments that I can’t play, and many at once, if I want.

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bookmark_borderRichard Ford: Canada

I’m reading Richard Ford’s “Canada” atm, and noting how different this is as a reading experience for me, compared with “Rabbit Is Rich“, by John Updike, the last novel that I read. First off, I’ve read Updike before, and even read that Rabbit novel before, whereas I haven’t read any Richard Ford before, so I have to read for content, for the story, which I didn’t have to do with Rabbit. With Rabbit I could appreciate Updike’s writing ability and skim the content, or at least it stuck very easily in my brain.

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