bookmark_borderWrite about what you know

“Write about what you know”

You hear this all the time. The theory is that if you pull stories from your own life and use settings, occupations, and situations that you are familiar with, then your writing will ring true. Writing about what you know will also help to avoid errors like using words that Brits don’t use when a character is supposed to be British, or calling a street “Maple Street” when it should be “Maple Avenue” for a city that you visited once. But writing about what I know is something that I rarely do except in an indirect manner. I rarely use things that actually happened to me or to someone close to me. At most I draw on fragments. I do it this way because of my reasons for writing.

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bookmark_borderWriting analysis: “Axis”, by Alice Munro

I’ve been waiting to find another short story in the New Yorker that generated interest in doing some more writing analysis. After going back to some older issues as well as keeping up on the semi-regular delivery of new issues in the mail I finally found an interesting story to look at. Unfortunately, it’s a story by Alice Munro. I say “unfortunately” because it’s intimidating to select the master of the genre to be studying.

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bookmark_borderReview: “Zoe Busiek: Wild Card”, the Ceiling of Mediocrity

I watch very little television these days. I do have a television in the bedroom though, and today I woke up an hour early and turned on the TV to see what was on. Between morning newscasts I found something intriguing on W Network. Googling it helped me to discover that the program is called “Zoe Busiek: Wild Card” and that it ran from 2003 to 2005 on Lifetime.

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